Notes from March 2025
 
1. "A Year of Deep Listening"
2. Redacted duplicate
3. Best comics of 2024
4. Alexis Madrigal's "The Pacific Circuit"
5. Jim Leftwich's "Asemic Writing: Definitions and Contexts 1998-2016"
6. Troth & Jon Collin
7. The "hypnagogic Melbourne wave"
8. "A social value of poetry"
9. Language's "thickness"
10. Adrian Myhr
11. Will Mason
12. Kinds of fragments
13. Bernstein on the visual arts
14. "43 Poets"
15. The language of America 1880-1900
16. Language and the "perceptual and conceptual unconscious"
17. Val Plumwood's "Nature, Self, and Gender"
18. "Ecocriticism"
19. Eric Kurlander’s “Hitler’s Monsters” [X]
20. Books on the Cold War
21. Poetry and the changing nineteenth-century language base
22. "Anything shut in with you can sing"
23. The artificialness of language
24. American poetry in the 1880s and 1890s
25. Lafcadio Hearn
26. Henry James and the end of English
27. "Be as artificial as possible"
28. Bernstein's appreciation of William Morris
29. Pound, order, and polyvocality
30. Pound and fascism
31. Politically evasive work
32. Stein's "wordness"
33. Twentieth century language
34. "Heidegger's question"
35. The early Baudrillard
36. "Seduced and Abandoned"
37. Delany's interesting theorists
38. The real and the political
39. Fiction, Marxism, and anxiety
40. Science fiction and children's literature
41. Delany's preferred science fiction writers
42. Borges' "This Craft of Verse"
43. Giorgio Agamben's "The Coming Community"
44. The origins of the synchronic and the diachronic
45. Synchronic and diachronic intellectual work
46. The super-ego run amok
47. Obliterated discourses
48. Philip K. Dick's non-SF novels
49. Against cultivating values
50. The intensity of a sentence
51. Delany's favorite books
52. Flaubert's "Sentimental Education"
53. Working class marriage
54. Delany on masturbation
55. Bernstein's "Content's Dream"
56. Combinatorial poetry
57. Bruce Andrews' "counterhegemonic project"
58. The test of a poetics
59. Deleuze on S/M
60. Sexualized power differentials
61. The artist and the "extinction of personality"
62. Fascist history
63. "This"
64. Poetics Journal
65. T. S. Eliot's "The Criterion"
66. Hejinian on the zeitgeist
67. "Wild captioning"
68. Art, the microcosmic, and the macrocosmic
69. de Certeau's "everyday life" thought experiment
70. Relations between moments
71. Reconfiguring spatial resources
72. Barrett Watten's "Under Erasure"
73. 1848: Establishment of the US-Mexico border
74. 1911: Establishment of the US-Mexico border fence
75. 2006: Bush's Secure Fence Act
76. Rosalind Krauss' "Sculpture in the Expanded Field"
77. Guillermo Galindo
78. Lee Friedlander's "The American Monument"
79. Key Land Art artists
80. Border Cantos
81. "There is no heroic action"
82. "Castration Movie"
83. Grant Maierhofer's "Traumnovelle"
84. Nothing "is" alone
85. Parson's "The Social System"
86. Forms of coordination
87. Foucault's "normalization"
88. Physicians and social control
89. Associations and the Pasteurization of France
90. Social worlds
91. Ways of worldmaking
92. John Law on discourses
93. Science and the "multiplication of reality"
94. Data and the technology that makes them
95. Totalizing anthropological theories
96. Strathern's "partial connections"
97. Garcia Marquez on the difference between screenwriting and novel-writing
98. "10 Purposes of Cheap Art"
99. Aspen Magazine
100. "A Long Essay on the Long Poem"
101. Personal note, redacted
102. Robin Sloan on "non-algorithmic net­works of com­mu­ni­ca­tion "
103. Are artists becoming philosophers?
104. "I Swear This Is Not Intended as a Back-Handed Compliment"
105. On categories
106. A poem as a "network of details"
107. What is tribal work?
108. Comprehending the contemporary
109. "Cosmic Ear" from We Jazz Records
110. Hejinian's "From 'The Guard'"
111. Perloff essays on Language poetry
112. "Green Isle in the Sea: An Informal History of the Alternative Press"
113. Jerome McGann's "Language Writing"
114. The prose of Alan Davies
115. Nick Piombino's "Attention: Two Essays"
116. Two Hank Lazer essays on Language poetry
117. Joan Retallack's "The Meta-Physick of Play"

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unfinished everything is an original work / ongoing project (1997-present) by jeremy p. bushnell

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