Notes from January 2025
1. Contact: Art and the Pull of Print
2. "Warlike, Howling, Pure"
3. Michele Audin's "One Hundred Twenty-One Days"
4. Chicago label Mages Guild
5. Lucas Baisch's "Language as Trash"
6. James Hoff's "Shadows Lifted from Invisible Hands"
7. "Inadvertent"
8. Married happiness in retirement
9. Still House Plants
10. Artists recommended by ilusion_collage
11. Saada Bonaire
12. Wladimiro Tulli
13. Commercial zine printers around the world
14. "Daybook," Anne Truitt's journals
15. Bhanu Pratap's "Dear Mother and Other Stories"
16. AurisApothecary
17. Roy Werner's "Imagine My Surprise"
18. ZERO, by Kanding Ray
19. Vajra Chandrasekera on "the culture of helping" and ignoring the big picture
20. Tristwch Y Fenywod
21. The decline of news
22. Margo Jefferson's "Constructing A Nervous System"
23. Son Of (Sam Prekop and John McEntire)
24. Brandon Graham's "Surviving on Mars"
25. Equipment Pointed Ankh
26. Robert Kagan's "Rebellion"
27. Fergus NM and "A Thousand Years"
28. Contemporary books on the problem of free will
29. "Vice signaling"
30. David Maurer's "The Big Con"
31. B. Ingrid Olson
32. Possible Sonos alternatives for home sound systems
33. Wolfbound Books
34. Secret Room, Portland
35. Saints and Sand
36. "The Power Fantasy"
37. Elena Gorfinkel's "Against Lists"
38. Russell Davies' "Do Interesting"
39. The Agrarian Studies Series
40. Li Yiyei
41. DjRUM
42. Lego letterpress
43. Cristian Castelo's Bonding
44. Gossip Göre's "10 comics to know me"
45. Detroit's "The Good News"
46. Bibliography for "artistic research" and related topics
47. Jeremiah Chu
48. Know-what, know-how, and know-why
49. Trio Ramberget's "Drone Positions"
50. "Writing for Busy Readers"
51. Into the Odd / Electric Bastionland
52. Alison Rumfitt's "Brainwyrms"
53. The third season of "Farscape"
54. Landon Caldwell
55. Michael Vincent Waller
56. The Hudson Prize
57. Armbruster
58. All labor is study of the divine
59. Sweet Trip
60. Zero Landmass Institute
61. "Children Drawing Rainbows"
62. Dame Area
63. "Walking"
64. Raphael Roginski
65. Meredith Monk's "Dolmen Music"
66. The "phenomenal totality"
67. Woolf on rhythm
68. The Presocratic enterprise
69. Margaret Cavendish, sociability and inquiry
70. Cavendish, Woolf, and vitality
71. A Natural History of Empty Lots
72. feeo
73. Black Doves
74. Franciscan poverty
75. Simone Weil and the "question of time"
76. Bewilderment
77. The poetry of the unlocatable and hidden
78. Martin Buber and the "unbroken"
79. The maze and the spiral
80. Bewilderment and sound in the lyric poem
81. The politics of bewilderment
82. The virtue of itinerancy
83. Confrontations with intentionality
84. "Asylum seekers are not criminals"
85. Trump's child separation policy
86. Convention on the Rights of the Child
87. Trump and the Posse Comitatus Act of 1878
88. Trump and the Alien Enemies Act of 1798
89. Contesting organizational language
90. Improvisation and the derive
91. Bruce Russell on collaboration
92. Music's Empty Quarter
93. The noise "superset"
94. Free music, 1965-1973
95. Amplified free music vs unamplified free music
96. Russell on "harmonically organized music"
97. Cognitive offloading
98. The Alexander Technique
99. Music and time
100. Improvisation as play
101. The blues and sound recording technology
102. The blues and cultural conservation
103. Cultural time
104. "Genuinely autonomous cultural traditions"
105. Eve Kosofky Sedgwick on texture
106. Russell on "process-driven" art
107. Jacob Kierkegaard’s SNOWBLIND
108. A human and an object
109. Etienne Nillesen’s “en”
110. Enso: On the withered tree a flower blooms
111. Laura Quinney's "Stumbling and Other Poems"
112. The central paradox of closed borders
113. Migrant smuggling bibliography
114. Criminalizing human movement
115. "Your Art Will Save Your Life"
116. Poets as mosaicists
117. Maureen N. McLane's "My Poets"
118. Allen Fisher's "Place"
119. Charles Bernstein's "A Poetics"
120. The erosion of institutions
121. Martin Wolf and "ethical elites"
122. "Demagogic authoritarian capitalism"
123. Linnea Sterte's "World Heist"
124. "Suffusions of context"
125. Oppen and "the clearing"
126. Heidegger and boredom
127. Opinions founded on facts are errors
128. Neutral eighteenth-century prose
129. The "Imagist program"
130. Reverdy's theory of the image
131. Pierre Reverdy
132. Louis Zukofsky's "An Objective"
133. Oppen and "the substantive"
134. "Indexicality"
135. Indexical signs and photography
136. C. S. Peirce on time
137. Lyn Hejinian on adolescence
138. Sartre on reality
139. Oppen's "contingency"
140. Oppen's daybooks
141. The "mineral fact"
142. The aesthetic response to the mineral fact
143. More on Zukofsky's "sincerity"
144. Sam Barlow
145. Critics of the after times
146. Baldwin on identity
147. Photographers who are also writers
148. What photos can't do (and writing can)
149. The changing presentation of photography
150. Larry Eigner: writing poetry gets easier
151. Watten on Eigner
152. Writing, free association, and the thinking process
153. Watten on Carla Harryman
154. Watten on Kit Robinson
155. Transgressive writers and publishers
156. Russell Hoban's "Riddley Walker"
157. Veronica Forrest-Thomson's "Poetic Artifice"
158. Bernstein on the "experiential" analysis of poetry
159. Total image-complex / total meaning complex
160. How meaning occurs

> notes created january 2025

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unfinished everything is an original work / ongoing project (1997-present) by jeremy p. bushnell

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